From Bleached Bones

John Lee's Illustration Blog

"In 1979, Robert Weaver, the undisputed pioneer of contemporary illustration, was asked if illustration was art. He replied, ‘No. It is only a profession whose best practitioners may one day be remembered as artists. The state of the art of illustration might be compared to a third-world country; it has not yet gained control of its technology. Editors and design consultants, not artists, shape the magazine. For a work to be judged as art there must be an artist in full command of his medium. Only when he has pushed it as far as it can go can he be tested fairly by the same critical standards applied to other artists.’Thirty-five years later, illustrators have gained more control over their medium, as a result of technology. Editors and design consultants continue to dominate the magazines, but with the advent of self-publishing and the Internet, the illustrator now has the opportunity to take full command of his medium.Storytelling, finally in the hands of the illustrator, can now be judged as an art form.”

"We Tell Stories" 30th Anniversary of the MFA Illustration as Visual Essay program. 1984-2014. 
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"In 1979, Robert Weaver, the undisputed pioneer of contemporary illustration, was asked if illustration was art. He replied, ‘No. It is only a profession whose best practitioners may one day be remembered as artists. The state of the art of illustration might be compared to a third-world country; it has not yet gained control of its technology. Editors and design consultants, not artists, shape the magazine. For a work to be judged as art there must be an artist in full command of his medium. Only when he has pushed it as far as it can go can he be tested fairly by the same critical standards applied to other artists.’Thirty-five years later, illustrators have gained more control over their medium, as a result of technology. Editors and design consultants continue to dominate the magazines, but with the advent of self-publishing and the Internet, the illustrator now has the opportunity to take full command of his medium.Storytelling, finally in the hands of the illustrator, can now be judged as an art form.”

"We Tell Stories" 30th Anniversary of the MFA Illustration as Visual Essay program. 1984-2014. 
Zoom
Info

"In 1979, Robert Weaver, the undisputed pioneer of contemporary illustration, was asked if illustration was art. He replied, ‘No. It is only a profession whose best practitioners may one day be remembered as artists. The state of the art of illustration might be compared to a third-world country; it has not yet gained control of its technology. Editors and design consultants, not artists, shape the magazine. For a work to be judged as art there must be an artist in full command of his medium. Only when he has pushed it as far as it can go can he be tested fairly by the same critical standards applied to other artists.’Thirty-five years later, illustrators have gained more control over their medium, as a result of technology. Editors and design consultants continue to dominate the magazines, but with the advent of self-publishing and the Internet, the illustrator now has the opportunity to take full command of his medium.Storytelling, finally in the hands of the illustrator, can now be judged as an art form.”

"We Tell Stories" 30th Anniversary of the MFA Illustration as Visual Essay program. 1984-2014. 
Zoom
Info

"In 1979, Robert Weaver, the undisputed pioneer of contemporary illustration, was asked if illustration was art. He replied, ‘No. It is only a profession whose best practitioners may one day be remembered as artists. The state of the art of illustration might be compared to a third-world country; it has not yet gained control of its technology. Editors and design consultants, not artists, shape the magazine. For a work to be judged as art there must be an artist in full command of his medium. Only when he has pushed it as far as it can go can he be tested fairly by the same critical standards applied to other artists.’Thirty-five years later, illustrators have gained more control over their medium, as a result of technology. Editors and design consultants continue to dominate the magazines, but with the advent of self-publishing and the Internet, the illustrator now has the opportunity to take full command of his medium.Storytelling, finally in the hands of the illustrator, can now be judged as an art form.”

"We Tell Stories" 30th Anniversary of the MFA Illustration as Visual Essay program. 1984-2014. 
Zoom
Info

"In 1979, Robert Weaver, the undisputed pioneer of contemporary illustration, was asked if illustration was art. He replied, ‘No. It is only a profession whose best practitioners may one day be remembered as artists. The state of the art of illustration might be compared to a third-world country; it has not yet gained control of its technology. Editors and design consultants, not artists, shape the magazine. For a work to be judged as art there must be an artist in full command of his medium. Only when he has pushed it as far as it can go can he be tested fairly by the same critical standards applied to other artists.’Thirty-five years later, illustrators have gained more control over their medium, as a result of technology. Editors and design consultants continue to dominate the magazines, but with the advent of self-publishing and the Internet, the illustrator now has the opportunity to take full command of his medium.Storytelling, finally in the hands of the illustrator, can now be judged as an art form.”

"We Tell Stories" 30th Anniversary of the MFA Illustration as Visual Essay program. 1984-2014. 
Zoom
Info

"In 1979, Robert Weaver, the undisputed pioneer of contemporary illustration, was asked if illustration was art. He replied, ‘No. It is only a profession whose best practitioners may one day be remembered as artists. The state of the art of illustration might be compared to a third-world country; it has not yet gained control of its technology. Editors and design consultants, not artists, shape the magazine. For a work to be judged as art there must be an artist in full command of his medium. Only when he has pushed it as far as it can go can he be tested fairly by the same critical standards applied to other artists.’Thirty-five years later, illustrators have gained more control over their medium, as a result of technology. Editors and design consultants continue to dominate the magazines, but with the advent of self-publishing and the Internet, the illustrator now has the opportunity to take full command of his medium.Storytelling, finally in the hands of the illustrator, can now be judged as an art form.”

"We Tell Stories" 30th Anniversary of the MFA Illustration as Visual Essay program. 1984-2014. 
Zoom
Info

"In 1979, Robert Weaver, the undisputed pioneer of contemporary illustration, was asked if illustration was art. He replied, ‘No. It is only a profession whose best practitioners may one day be remembered as artists. The state of the art of illustration might be compared to a third-world country; it has not yet gained control of its technology. Editors and design consultants, not artists, shape the magazine. For a work to be judged as art there must be an artist in full command of his medium. Only when he has pushed it as far as it can go can he be tested fairly by the same critical standards applied to other artists.’Thirty-five years later, illustrators have gained more control over their medium, as a result of technology. Editors and design consultants continue to dominate the magazines, but with the advent of self-publishing and the Internet, the illustrator now has the opportunity to take full command of his medium.Storytelling, finally in the hands of the illustrator, can now be judged as an art form.”

"We Tell Stories" 30th Anniversary of the MFA Illustration as Visual Essay program. 1984-2014. 
Zoom
Info

"In 1979, Robert Weaver, the undisputed pioneer of contemporary illustration, was asked if illustration was art. He replied, ‘No. It is only a profession whose best practitioners may one day be remembered as artists. The state of the art of illustration might be compared to a third-world country; it has not yet gained control of its technology. Editors and design consultants, not artists, shape the magazine. For a work to be judged as art there must be an artist in full command of his medium. Only when he has pushed it as far as it can go can he be tested fairly by the same critical standards applied to other artists.’Thirty-five years later, illustrators have gained more control over their medium, as a result of technology. Editors and design consultants continue to dominate the magazines, but with the advent of self-publishing and the Internet, the illustrator now has the opportunity to take full command of his medium.Storytelling, finally in the hands of the illustrator, can now be judged as an art form.”

"We Tell Stories" 30th Anniversary of the MFA Illustration as Visual Essay program. 1984-2014. 
Zoom
Info

"In 1979, Robert Weaver, the undisputed pioneer of contemporary illustration, was asked if illustration was art. He replied, ‘No. It is only a profession whose best practitioners may one day be remembered as artists. The state of the art of illustration might be compared to a third-world country; it has not yet gained control of its technology. Editors and design consultants, not artists, shape the magazine. For a work to be judged as art there must be an artist in full command of his medium. Only when he has pushed it as far as it can go can he be tested fairly by the same critical standards applied to other artists.’

Thirty-five years later, illustrators have gained more control over their medium, as a result of technology. Editors and design consultants continue to dominate the magazines, but with the advent of self-publishing and the Internet, the illustrator now has the opportunity to take full command of his medium.

Storytelling, finally in the hands of the illustrator, can now be judged as an art form.”

"We Tell Stories" 30th Anniversary of the MFA Illustration as Visual Essay program. 1984-2014. 

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